Docsity
Docsity

Prepare for your exams
Prepare for your exams

Study with the several resources on Docsity


Earn points to download
Earn points to download

Earn points by helping other students or get them with a premium plan


Guidelines and tips
Guidelines and tips

Aberystwyth Arts Centre: Cobra Mist Film Screening and Landscape Panels, Study notes of Theatre

The schedule for the Aberystwyth Arts Centre conference, featuring a seven-minute film screening of Cobra Mist by Emily Richardson, as well as various panels discussing landscapes, performance, and art. The conference takes place in multiple buildings, including Hugh Owen Bldg., Parry-Williams Bldg., and the Arts Centre. Topics include sacred and spiritual landscapes, enacting landscapes through art, and redefining urban space through performance.

Typology: Study notes

2021/2022

Uploaded on 09/12/2022

andreasge
andreasge 🇬🇧

4.2

(12)

236 documents

1 / 30

Toggle sidebar

This page cannot be seen from the preview

Don't miss anything!

bg1
HO Hugh Owen Bldg. ; PWB Parry-Williams Bldg.– RR Rehea rsal Room; AAC Aberystwyth Arts Centre
1
Wed
prelude
20:00
20:00
Cobra Mist
AAC
Cinema
[Event:]
Short Film
[Description:]
Cobra Mist (2008) is a seven-minute film by British artist Emily Richardson. It
takes as its subject a decommissioned cold war radar station at Orford Ness in
Suffolk, which was designed to pick up signals from Eastern Europe.
Richardson's film shows this curious space in ruins. It records the physical
traces of the site's past, and captures its sinister atmosphere. Cobra Mist is
accompanied by sounds recorded at the location by Chris Watson, and the
music of Benedict Drew.
[Artist:]
Emily Richardson
[Introduction:]
Paul Newland (Theatre, Film and Television, Aberystwyth University)
[Practicalities:]
Admission free.
[see also EXTERNAL EVENTS page 48 for other events]
pf3
pf4
pf5
pf8
pf9
pfa
pfd
pfe
pff
pf12
pf13
pf14
pf15
pf16
pf17
pf18
pf19
pf1a
pf1b
pf1c
pf1d
pf1e

Partial preview of the text

Download Aberystwyth Arts Centre: Cobra Mist Film Screening and Landscape Panels and more Study notes Theatre in PDF only on Docsity!

Wed prelude

20 :00 Cobra Mist AAC Cinema [Event:] (^) Short Film [Description:] Cobra Mist (2008) is a seven-minute film by British artist Emily Richardson. It takes as its subject a decommissioned cold war radar station at Orford Ness in Suffolk, which was designed to pick up signals from Eastern Europe. Richardson's film shows this curious space in ruins. It records the physical traces of the site's past, and captures its sinister atmosphere. Cobra Mist is accompanied by sounds recorded at the location by Chris Watson, and the music of Benedict Drew. [Artist:] (^) Emily Richardson [Introduction:] Paul Newland (Theatre, Film and Television, Aberystwyth University) [Practicalities:] Admission free. [see also EXTERNAL EVENTS page 48 for other events]

[INSTALLATIONS, EXHIBITIONS, SOUNDWORK]

open throughout the conference – for times see daily schedules Thu-Sun Midnight at the Oasis PWB RR [Event:] (^) Sound Installation [Description:] The nocturnal music of the Kalahari desert. – p. [Presenter:] (^) Chris Watson (Wildlife Sound Recordist, UK) Thu-Sun Fragments of the Los Angeles River PWB RR [Event:] (^) Film Installation [Description:] These video fragments present varied and contradictory visions of the Los Angeles River and are difficult for the viewer to assimilate into one coherent portrayal, thereby raising questions about the nature of representation. – p. [Presenter:] (^) Richard O’Sullivan (Theatre, Film and Television, Aberystwyth) Thu+Fri one small white house far away Foundry [Event:] (^) Installation [Description:] An instance of the long-term collaborative research and production project ‘some things happen all at once, some things happen more slowly’. – p. [Presenters:] (^) Mike Brookes and Rosa Casado (Spain and UK) Thu-Sun Sub : Sail : Steam PWB [PWB Foyer, G38 computer room and^ www.vortex.uwe.ac.uk] [Event:] (^) Exhibition and Online Project [Description:] A site-responsive set of drawings, texts and very short films reflecting the dramatic rescue of HMS Universal P57 in Cardigan Bay, February 1946. – p. [Presenters:] (^) Anna Farthing (Applied Theatre Research, Manchester) and Paul Gough (Creative Arts, West of England UWE) Thu-Sun Borderland Postcards - responding to postcards from the physical Penbryn and cultural borders of Europe [Event:] (^) Exhibition [Description:] An exhibition of responses to postcards sent out to conference delegates in advance to explore how boundaries and methodologies are perceived and/or performed in research that engages with urban and rural landscapes. – p. [Presenters:] (^) Iain Biggs (Creative Arts, UWE) and Sarah Blowen (French, UWE) Thu-Sun Exquisite Landscapes – Revealing the Act of Drawing in Chance enroute Locations [Event:] (^) Exhibition [Description:] A collaborative project between two drawers (one based in Aberystwyth, one in London) which explores the act of drawing specific points in the landscape.-p. [Presenters:] (^) Kasia Coleman (Aberystwyth) and Eleanor Cardwell (London) Thu-Sun Involution Penbryn [Event:] (^) Soundwork [Description:] A binaural soundscape composition to be heard over headphones whilst wandering through environments of your choice. – p. [Presenter:] (^) Jon Aveyard (Music, Central Lancashire) [Practicalities:] (^) mp3 players available from Info Desk

Thu am^ open all day^ plenary^ panels 1^ eve

7:00–14:00 12:00–20:00 15:00–17:30 17:30–18:30 from 19: 7:00–14:00 Longshore Drift itinerant [Event:] Walk [Presenters:] (^) Stephen Hodge (Drama, Exeter; Wrights & Sites), Simon Persighetti (Theatre, Falmouth/ Dartington; Wrights & Sites) [Description:] Hodge and Persighetti (of Wrights & Sites) lead a shoreline 'drift' against the prevailing current (from Ynyslas to Aberystwyth), collecting, carrying, recon- figuring and temporarily reversing the flow of edgeland material as they go. [Practicals:] Departs Aberystwyth at 7am. If delegates would like to participate please contact landscapes@aber.ac.uk for further details. --p. 8:00- 14 :00 Llyfr Gwyn Rhydderch itinerant [Event:] (^) Run [Presenters:] Eddie Ladd (Theatre, Film and Television, Aberystwyth) , Tim Bromage (Cardiff) [Description:] A run from Ystrad Fflur (Strata Florida) to the National Library in Aberystwyth, following the progress of the Lyfr Gwyn Rhydderch / White Book of Rhydderch , a manuscript which contains most of the myth of the Mabinogi. The run is an attempt to understand the area in its linguistic, geographical, political and historical context. --p.

[Please also see Panel Session 1.3 [Thu 17:30-18:30] for presentations on

these events.]

Thu am^ open all day^ plenary^ panels 1^ eve

7:00–14:00 12:00–20:00 15:00–17:30 17:30–18:30 from 19: 12:00–20:00 Installations, Exhibitions and Filmworks Penbryn + PWB [Description:] For listings see pages 14-15. Abstracts – p.72ff.

Thu am open all day plenary panels 1 eve

7:00–14:00 14:00 cont. 15:00–17:30 17:30–18:30 from 19: 15:00-15:30 Arriving – Welcome HO A [Event:] (^) Conference Opening [Presenter:] (^) Stephen Daniels (Geography, Nottingham University; AHRC Landscape and Environment Programme Director) [Presenters:] (^) Mike Pearson, Heike Roms (Theatre, Film and Television, Aberystwyth) and Peter Merriman (Geography & Earth Sciences, Aberystwyth) 15:30-16:00 Opening Address HO A [Event:] (^) Conference Opening [Presenter:] (^) George Monbiot [Introduction:] (^) Adrian Kear (Theatre, Film and Television, Aberystwyth) 16:00-16:30 Coffee Penbryn 16:30-17:30 On Exchange HO A [Event:] (^) Plenary 1 [Chairs:] (^) Peter Merriman (Geography & Earth Sciences, Aberystwyth ) and Heike Roms (Theatre, Film and Television, Aberystwyth) [Presenters:] (^) Dee Heddon (Theatre, Glasgow) Zoe Laughlin ( Engineering, King’s, London) Alan Read (Theatre and Performance Studies, King’s, London) John Wylie (Geography, Exeter) [Description:] The panel will address the following questions: How are landscape and environment understood in different disciplines? How to facilitate exchange? How to promote effective working between disciplines? How to develop a research field? How to explore new approaches?

Thu am open all day plenary panels 1 eve

7:00–14:00 14:00 cont. 15:00–17:30 17:30–18:30 from 19: 18:30-19:30 Dinner Penbryn [Bookshop and Installations/ Exhibitions open] 19:30-20:00 Drinks Reception PWB Foyer Hosted by the Department of Theatre, Film and Television Studies 20:00-21:00 Acoustic Landscapes – An investigation into perspectives of time and place PWB Studio 1 [Event:] (^) Artist’s Talk [Presenter:] (^) Chris Watson ( Wildlife Sound Recordist, UK) [Introduction:] (^) Mike Pearson (Theatre, Film and Television, Aberystwyth) 21:00-22:00 Carrlands: Hibaldstow (live remix) PWB Studio 1 [Event:] (^) Performance [Description:] A live reinterpretation of one section of Carrlands , an audio work for the Ancholme valley in north Lincolnshire, funded by the AHRC Landscape and Environment programme.—p. [Presenter:] (^) Mike Pearson (Aberystwyth), John Hardy and Hugh Fowler (Cardiff) 21:00-22:00 Phantom Ride PWB Studio 2 [Event:] (^) Performance [Description:] In the early 20th Century William Haggar, a travelling entertainer from Essex, settled in Wales and unwittingly helped to transform live entertainment into the ‘cultural industries’. Good Cop Bad Cop draw on Haggar’s long lost films to evoke an era of artistic and commercial experimentation. A time when films could be advertised by length in feet, a Burry Port shipwreck could pass as newsreel of the Titanic and assaulting the police could pass as a comic act. Things could have turned out very differently… —p. [Presenter:] (^) Good Cop Bad Cop (Cardiff) 21:00-22:00 Video Tape (October Half-Term 1985) AAC Studio [Event:] (^) Performance [Description:] “The most vivid memory of my childhood comes in the form of a video shot by my father in the half term of 1985. In this performance I present the original footage alongside a second film featuring my five year old daughter shot in the same landscape twenty-three years later.” —p. [Presenter:] (^) Tom Payne (Aberystwyth) 22:15-23:30 Showroom Short Cuts AAC Studio [Description:] During the day, members of Showroom will develop an index of the conference that will provide a stimulus for daily wrap-ups in an informal setting —p. [Presenters:] (^) Richard Allen , Kasia Coleman , Gareth Llŷr Evans , Daniel Ladnar , Esther Pilkington , Louise Ritchie (Theatre, Film and TV, Aberystwyth)

Fri early am^ open all day^ panels 2^ plenary^ lunch event

7:00–9:00 9:00 cont. 9:00–11:00 11:30–12:30 12:30–14: from 8:30 Registration Penbryn 7:00–9:00 Approaches to Creating Performances in the Landscape at site In three parts: work session – discussion – presentation [Event:] (^) Work session [Description:] These work sessions are designed to allow practitioners to share methodologies for creating work in response to a landscape, moving from embodied practice, to analysis and discussion, and then to public presentation. --p. [Convenor:] (^) Marilyn Arsem (School of the Museum of Fine Arts, Boston) [Practicalities:] (^) Delegates are asked to pre-register by emailing landscape@aber.ac.uk or by signing up at registration. Continues on Saturday and Sunday. [Meeting:] 7:00 Penbryn Reception (Ground floor) 7:00–9:00 Enter, Inhabit, Leave AAC Piazza [Event:] (^) site work [Description:] Through scored durational improvisation, photographic images and writings Enter, inhabit, leave explores presence in a site of flow and transition. – p. [Presenters:] (^) Natalie Garrett Brown , Christian Kipp , Niki Pollard & Amy Voris (Dance, Coventry) [Practicalities:] Continues throughout the conference – see also Sat and Sun am Please also visit the work space in the Foundry Studio – Interface Room 8:00–9:00 Artists’ Breakfast TaMe Da [Penbryn] [Description:] An opportunity to discuss the performance work from the previous day. [Chair:] (^) Mike Pearson (Theatre, Film and Television, Aberystwyth) [Presenters:] (^) With Mike Brookes , Rosa Casado , Tom Payne, Chris Watson 9:00–19:30 Installations, Exhibitions and Filmworks [Description:] For listings see page 14–15. 9: 00 – 19:30 RECALL: The longMarch of Displacement PWB RR [Event:] (^) Film / Installation [Description:] An engagement with the history of British imperialism and its intertwining with religious faith informed by two events in 1897: the pageantry of Queen Victoria's Diamond Jubilee celebrations at St. Paul’s Cathedral and the infamous British punitive expedition and capture of the pre-colonial Kingdom of Benin – p. [Presenters:] (^) Leo Asemota (London) 9:30– 18 :00 Responding to Thomas Rowlandson NLW [National Library of Wales] [Event:] (^) Installation [Description:] Responding to the National Library of Wales’ collection of drawings by Thomas Rowlandson made on his Tour of Wales in 1797, the project aims to reclaim a sense of the visual within the study of landscape and asks if the tracing of another’s path and mark making is a form of erasure? – p. [Presenter:] (^) Lee Hassall (Hereford College of Arts)

Fri early am^ open all day^ panels 2^ plenary^ lunch event

7:00–9:00 9:00 cont. 9:00–11:00 11:30–12:30 12:30–14: [CONT. PANEL SESSION 2 9:00–11:00] 2.4 Transient Place-making HO C [Chair:] (^) Iain Biggs (Art, UWE) [Description:] The panel addresses transient strategies for place-making through art projects that engage with rural and suburban communities and contested histories. – p. (^1) Sue Palmer (Theatre, Falmouth/ Dartington) Transience (^2) Sally Mackey (Applied Theatre, Central School of Speech and Drama); Sarah Cole (Fine Art, University of the Arts, London) Cuckoos in the Nest: artists as transient place-makers (^3) Jane Lloyd Francis (Equilibre Horse Theatre, Machynlleth) Equilibre 1993 - 2009 Ceffylau Carreg (^4) Jose Ferreira (Sculpture, School of the Art Institute Chicago) Sweeping Maputo 2.5 Sonic Landscapes PWB Studio 1 [Chair:] Paul Newland (Theatre, Film and Television, Aberystwyth) [Description:] The panel addresses the aesthetic, philosophical, ethical and ecological implications of capturing and evoking landscape through the medium of sound and its recording. – p. 14 1 Cathy Lane and Angus Carlyle (CRiSAP – Creative Research into Sound Arts Practice, University of the Arts, London) Listening to Landscapes (^2) Wallace Heim (Public Space Ltd) Hearing the mean heat: how the measure of change on land leads to the valence of phronesis (^3) David Reid (Photography, Nottingham Trent) (with Rhodri Davies and Angharad Davies , artists - Newcastle and London) half-light 11:00-11:30 Coffee Penbryn

Fri early am^ open all day^ panels 2^ plenary^ lunch event

7:00–9:00 9:00 cont. 9:00–11:00 11:30–12:30 12:30–14: 11:30-12:30 On Dissemination HO A [Event:] (^) Plenary 2 [Chairs:] (^) Heidi V. Scott (Geography & Earth Sciences, Aberystwyth) and Mike Pearson (Theatre, Film and Television, Aberystwyth) [Presenters:] (^) Wapke Feenstra (NL) Graeme Miller (UK) Hayden Lorimer (Geography, Glasgow) [Description:] The panel will address the following questions: How to include and address various audiences? How to contribute to public awareness and understanding? How to address concerns? How to assess impact?

Fri early am^ open all day^ panels 2^ plenary^ lunch event

7:00–9:00 9:00 cont. 9:00–11:00 11:30–12:30 12:30–14: 12:30-14:00 Lunch Penbryn [Bookshop and Installations/ Exhibitions open] 13:30–13:45 Descent of the Angel NLW [National Library of Wales] [Event:] (^) Performance [Description:] Watching over residents, surveying the land and the activities below, the angel serves as golden guardian. Gathering the breath of the wind, the angel unfurls her wings and swoops down. She dances to connect sky and land in her search for a lost soul to deliver to paradise. The angel visits Aberystwyth. [Presenter:] (^) Kate Lawrence ( Dance, Film & Theatre, Surrey) [Practicalities:] (^) Meeting Point: 13:15 Penbryn Reception Ground Floor 12:00–14:00 Present Perspective: Aberystwyth Town AAC Café [Event:] (^) Performative Installation [Description:] A framing and presentation of a (daily) journey from the Arts Centre café to Aberystwyth town which draws attention to the simultaneous closeness and distance of the interior space of café to the ‘living landscape’ visible from its windows. – p. [Presenter:] (^) Jane Bailey (Creative Arts, West of England UWE) 13:00 Special Event AAC Café [Description:] Ecological bicycle theatre happening – join Stan’s Café company and help them make a cuppa using cycle power. The event is in advance of the performance of Home of the Wriggler – the ecologically powered theatre show. [Presenters:] (^) Stan’s Café (Birmingham) 14:30 Special Event Promenade [Description:] Ecological bicycle theatre happening – join Stan’s Café company and help them make a cuppa using cycle power. The event is in advance of the performance of Home of the Wriggler – the ecologically powered theatre show. [Presenters:] (^) Stan’s Café (Birmingham)

Fri panels 3^ panels 4^ eve

14:00–16:00 16:30–18:00 from 19: [CONT. PANEL SESSION 3 14:00–16:00] 3.4 Histories of Occupation: Archaeological Landscapes HO C [Chair:] (^) Mike Pearson (Theatre, Film and Television, Aberystwyth) [Description:] The panel addresses archaeological and historical approaches to the performance of landscape in reference to practices of travelling, dwelling and community building, and to attitudes to the subterranean in the history of colonial occupation. – p. (^1) Kathryn Soar (Archaeology, Nottingham) There and Back Again: Performing the Landscape in Minoan Crete (^2) Claire Halley (Archaeology, Cambridge) Building Chaco: Performance, Place and Culture Formation (^3) Penny Bickle (Archaeology, Cardiff) From a single posthole: How archaeological landscapes are performed (^4) Heidi V. Scott (Geography & Earth Sciences, Aberystwyth) Landscape and the subterranean in colonial Latin America 14:00–15:00 From Where You Are PWB Studio [Event:] (^) Performance [Description:] A performance based on a research and development project involving working artistically with nature and children in the creation of dance film and live performance. The work explores relationships and the embedded interconnectedness to one another and the earth, generating film which resonates deeply with the place in which it was created, namely Porth Colman on the Lyn Peninsula in North Wales. – p. [Presenters:] (^) Lisa Dowler, Catherine Hawkins, Paula Hampson, June Gersten Roberts (Performing Arts, Edge Hill; small things dance collective) 15:00–16:00 Hoe in Motion PWB Studio [Event:] (^) Performance [Description:] A performance aiming to locate the landscape of the Hoe through bodily gestures and oral descriptions, borrowed from the people of Plymouth. – p. [Presenters:] (^) Saini Manninen & Sylvia Rimat (Bristol) 16:00-16:30 Coffee Penbryn 14:00–17:00 EXTERNAL EVENT: Devising and Writing Workshop AAC [Presenters:] (^) Stan’s Café (Birmingham) [Practicalities:] (^) Cost: £10; For more information and to book please contact the Aberystwyth Arts Centre Box office http://www.aberystwythartscentre.co.uk/

Fri panels 3^ panels 4^ eve

14:00–16:00 16:30–18:00 from 19: 4.1 Forest Art – A concept for the future PWB Studio [Chair:] Dee Heddon (Theatre, Glasgow) [Description:] The panel introduces a project series that aims to develop sustainable art practices for a variety of forest sites in different parts of the world. The presentations offer performative actions and reflections relating to work presented in Germany, the USA and Argentina. – p. (^1) Jean Fabb (Boreal Art, Canada) (^2) Helina Hukkataival (artist, Finland) (^3) Claudia Kappenberg (Arts and Architecture, Brighton) (^4) Ute Ritschel (Forest Art Curator, Germany) 4.2 Points in and on space: Buildings, breaches and bothersome HO A12 relatives [Description:] The panel considers the roles of height and distance in creating new perspectives within familiar environments. Papers address vertical dance, the beach as a hori- zontal space and the creation of viewpoints in and for tourist performances. – p. (^1) Kate Lawrence (Dance, Film & Theatre, Surrey) Highconography (^2) Helen Hughes (Dance, Film & Theatre, Surrey) Local Geography (^3) Stuart Andrews (Dance, Film & Theatre, Surrey) Building Brockhole (again): (Re-) Living Landscape in the Lakes 4.3 (Military) Landscapes: Decoys, Relics and Miniaturization HO A [Chair:] (^) JD Dewsbury (Geographical Sciences, Bristol) [Description:] The panel addresses the staging of military landscapes through sound, scenography and modelling, and introduces an artistic intervention into practices of miniaturization. – p. (^1) Greer Crawley (Spatial Design, Buckinghamshire New University) Strategic Scenography – constructing alternative terrains (^2) Kathrine Sandys (Music, Goldsmiths) Novolant – the phenomenological presence of Cold War buildings as sublime encounter 3 Petra Tjitske Kalshoven (Anthropology, Aberdeen) The world unwraps from tiny bags: performing landscapes in modelling 4.4 Writing Absence in / of Landscape HO C [Chair:] (^) Simon Murray (Theatre, Glasgow) [Description:] The panel addresses the relationship of writing to landscape with reference to the presence of the land in Shakespeare’s King Lear , the ‘memory’ landscapes of modern and postmodern (postdramatic) texts and the posthumous landscapes of W.G. Sebald. --p. (^1) Richard Marggraf Turley ; Howard Thomas ; Jayne Archer (English, Aberystwyth) ‘Darnell, and all the idle weedes that grow’: remembering the land in King Lear (^2) Günther Heeg (Theatre, Leipzig) The Memory of Text / Landscapes (^3) Jessica Dubow (Geography, Sheffield) Still-Life, After-Life: Landscape as Loss [PANELS CONTINUE NEXT PAGE]

Fri panels 3^ panels 4^ eve

14:00–16:00 16:30–18:00 from 19: 18:00-19:30 Dinner Penbryn [Bookshop and Installations/ Exhibitions open] 19:30–21:00 Home of the Wriggler AAC Theatre [Event:] (^) Performance - (followed by post-show discussion) [Description:] In a disused factory, away from the raging weather, a team of investigators unearth the legends of a city, the fragmented stories of the people who lived there, and the mythical things they made called cars…Full of humour and with a haunting conclusion, Home of the Wriggler examines how our personal fates are entwined, for better or worse, with an industrial heritage, in a volatile global economy, on a warming planet. – p. [Presenters:] (^) Stan’s Café (Birmingham) [Practicalities:] (^) 80min. Presented in collaboration with Aberystwyth Arts Centre. Admission free for conference delegates. Please collect your free ticket at registration. See also Artists’ Breakfast on Sat 8:00-9:

21:00–22:00 something happening/snapshot 

PWB Studio [Event:] (^) Performance [Description:] An instance of the long-term collaborative research and production project ‘some things happen all at once, some things happen more slowly’ – p. [Presenters:] (^) Mike Brookes and Rosa Casado (Spain and UK) 21:30–22:30 Further Afield Itinerant [Event:] (^) Simultaneous Performance Walk (anticipated duration 60 – 90 min) [Description:] [see Fri 17:30] - p. [Presenters:] (^) Sorrel Muggridge (UK) and Laura Nanni (Canada) [Practicalities:] (^) Delegates are asked to pre-register by emailing landscape@aber.ac.uk or by signing up at registration. Repeated on Saturday [Meeting:] Penbryn Reception (Ground floor) 22:00-23:30 Showroom Short Cuts AAC Studio [Description:] During the day, members of Showroom will develop an index of the conference that will provide a stimulus for daily wrap-ups in an informal setting – p. [Presenters:] (^) Richard Allen , Kasia Coleman , Gareth Llŷr Evans , Daniel Ladnar , Esther Pilkington , Louise Ritchie (Theatre, Film, TV, Aberystwyth) [featuring:] (^) The Audience A surreal yet personal response to ideas of landscape, what man has made of it, how we see it now, and where we see it going. It mixes desperation with humour, placing the audience in impossibly varied settings… --p. [Presenters:] (^) Ant Hampton (UK) [see also EXTERNAL EVENTS at the end of this document for other events]

Sat early am^ open all day^ panels 5^ plenary^ lunch

7:00–9:00 9:00 cont. 9:00–11:00 11:30–12:30 12:30–14: from 8:30 Registration Penbryn 7:00–9:00 Approaches to Creating Performances in the Landscape at site In three parts: work session – discussion – presentation [Event:] (^) Work session [Description:] These work sessions are designed to allow practitioners to share methodologies for creating work in response to a landscape, moving from embodied practice, to analysis and discussion, and then to public presentation. – p. [Convenor:] (^) Marilyn Arsem (School of the Museum of Fine Arts, Boston) [Practicalities:] (^) Delegates are asked to pre-register by emailing landscape@aber.ac.uk or by signing up at registration. Continues from Fri; to be continued Sun. [Meeting:] (^) Penbryn Reception (Ground floor) 7:00–9:00 Enter, Inhabit, Leave AAC Piazza [Event:] (^) site work [Description:] Through scored durational improvisation, photographic images and writings Enter, inhabit, leave explores presence in a site of flow and transition. – p. [Presenters:] (^) Natalie Garrett Brown , Christian Kipp , Niki Pollard & Amy Voris (Dance, Coventry) [Practicalities:] Continues throughout the conference – see also Sun am Please also visit the work space in the Foundry– Interface Room 8:00–9:00 Artists’ Breakfast TaMe Da [Penbryn] [Description:] An opportunity to discuss the performance work from the previous day. [Chair:] (^) Chair: Stephen Bottoms (Theatre, Leeds) [Presenters:] (^) Stan’s Café (Birmingham) 8:00–10:00 Studio Visit AAC Creative Units – Unit 16 (metal buildings behind Arts Centre) [Description:] Artist Catrin Webster invites you to her studio where work made during or as a consequence of journeys in Wales and Italy will be on show [Presenter:] (^) Catrin Webster (Aberystwyth) 9:00–19:30 Installations, Exhibitions and Filmworks [Description:] For listings see page 14–15. 9:00–19:30 What’s Going on Here? (compilation) PWB RR [Event:] (^) Film / Installation [Description:] A compilation of six short video pieces which are outcomes of recent projects that explore the representation of places, places that are reconfigured over time and through people¹s perceptions and activities. – p. [Presenters:] (^) Tea (UK)

Sat early am^ open all day^ panels 5^ plenary^ lunch

7:00–9:00 9:00 cont. 9:00–11:00 11:30–12:30 12:30–14: [CONT. PANEL SESSION 5 9:00–11:00] 5.3 Performing Regionality HO C [Chair:] (^) Stephen Daniels (Geography, Nottingham) [Description:] The panel addresses different ways of accounting for, narrating, articulating and mapping ‘regional’ landscapes, contemporary and historical, in reference to the Norfolk Broads, North Lincolnshire, South Ridings and Nottingham. – p. (^1) David Matless (Geography, Nottingham) Describing Landscape: Six Regional Sites (^2) Maggie Jackson (Art History, Chester); Jeremy Turner (Fine Art, Chester) Crossing the Border: A Right Bloody Performance (^3) Mick Wallis (Performance and Cultural Industries, Leeds) Fields of practice: landscapes in interwar English village theatre (^4) Jo Robinson (English Studies, Nottingham) Transforming landscapes of performance: Nottingham 1865 5.4 Geographies of Love HO C [Chair:] (^) Sally Mackey (Central School of Speech and Drama) [Description:] The panel addresses questions of attachment to landscape in reference to debates on affect, autotopography and ephemerality through a variety of presentational formats. – p. (^1) Iain Biggs (Art, West of England UWE) Performing ‘geographies of love’ – landscape between presence and absence (^2) Owain Jones (Countryside & Community Research Institute) The Severn Crossings: displacement and parallaxes of memory, self and landscape around the Severn Estuary (^3) Leila Dawney (Geography, Exeter) Landscapes of Affect: A critical commentary (^4) Richard Downing (Theatre, Film and Television, Aberystwyth) The Butterfly Man (sculpture and other ephemera) 10:1 5 – cont. Art – Action – Exhibition PWB Foyer [Event:] (^) Drawing Event [Description:] A group of 20 artists from various disciplines have been invited to draw their individual response to the landscape during a walk from the Arts Centre to the Railway station; participation and dialogue welcome. – p. [Presenters:] (^) Catrin Webster (Art, Aberystwyth) [Practicalities:] (^) Meeting Place; Ceramics Collection Aberystwyth Arts Centre [ongoing during the day; involves trip to Devil’s Bridge]

Sat early am^ open all day^ panels 5^ plenary^ lunch

7:00–9:00 9:00 cont. 9:00–11:00 11:30–12:30 12:30–14: 11:00-11:30 Coffee Penbryn 11:30-12:30 On Method HO A [Event:] (^) Plenary 3 [Chairs:] (^) Carl Lavery and Paul Newland (Theatre, Film and Television, Aberystwyth) [Presenters:] (^) Jane Rendell (Architecture, Bartlett, London) David Matless (Geography, Nottingham) Baz Kershaw (Theatre Studies, Warwick) [Description:] The panel will address the following questions: How to develop new methodologies, themes and approaches? How to enhance innovation? How to embed new procedures within research agendas? How to sustain collaboration? 12:30-14:00 Lunch Penbryn [Bookshop and Installations/ Exhibitions open]